two new remixes taken from the album worse for wear! on side a : the title track wfw gets a 90s house rework by shit robot. on side b ,latter day methods got a nice bouncy mix from moullinex. both mixes have been tested in clubs with great response from the crowd.

uk duo deepcitysoul step onto the nice n ripe label with their get back ep – synonymous with the garage sounds of the 90s, grant nelsons pioneering label has been something of an institution over the year, now reinvigorated for the new generation whilst still keeping its roots in the garage sounds this classic sounded ep shows just way the label is still rocking out dancefloors around the world.
hooky vocals, stabby melody hooks and a killer bassline are the tried & tested elements – and this ep has em all in abundance!

>saarid wishes to promote peace through human understanding, not politics.<
those words are literally etched into the vinyl of saarids debut single. strong words for a strong new addition to the ever-expanding throne of blood family! fusing 80s drum machines with 90s atmospherics, saarid has crafted a sound that nonetheless feels like right now.

so sound recordings latest acquisition to its roster is a trio from hannover, germany and they are called les loups. ladies and gentlemens if you thought that >french house<was a cool style of music back from the late 90s and early 2000s, think again, because felix littkemann (18), antonio dominguez (19) & philipp landmann (20), are ready to start a disco revolution. being influenced by jazz, indie rock, french house, hip hop the three got together and started to produce french house based on disco samples from the late 70s and early 80s, creating their own trademark sound which is so fresh!

ewan robertson aka offshore meldet sich mit seiner brandneuen ep auf big dada zurück. musikalisch überzeugt offshore auf ganzer linie, egal ob 90s electronica a la boards of canada oder subsonischem dubstep bis hin zu minimal funk, diese ep kann einiges und steigert die spannung auf sein debütalbum, welches anfang 2012 erscheinen wird!

shir khan presents his favourite edits in the form of a new sublabel of exploited entitled: black jukebox. the first edition features a great mix of deep house, disco, soul and hip hop. contributions by amsterdams homework and hamburgs adana twins. 4 infectiously catchy tracks that can be either explained as >true revision< or >the stick a kick drum on it!< philopsophy. already loved by the round table knights, soul clap, dj sneak, jesse rose, catzndogs, wareika, dj t, jazzanova, christian prommer&michael reinboth, nd baumecker and many more. homework and the adana twins took 4 classic tracks and turned them into something that is so lush that maybe even larry levan might have played it out. 90s sentiments were rearranged to be retrofitted in this era: pure revisionist nostalgia.

we are all very excited about presenting the new catalogue for apparel music limited. we decided to offer our fans an alternative point of view to complete our distribution package. kisk, this time with the help of gennaro mastrantonio, is developing a new concept designed for a bigger dance hall. whereas apparel music covers the daytime, warm-up and after-party side, apparel music limited represents the night in all its different shades. we have chosen francesco gemelli to set our experimental work in motion. francescos classic vocal house music takes us back in time, as if disco music never died and the 90s still had something to say.. the aggressive, uncompromising rhythm of spin my mind melts into the love sounds of she loves the 80s, as if travelling back in time were not enough, as if modern times were in the past and the past was hic et nunc, here and now. ughl revamps the visuals in a deep house version of she loves the 80s, turning it into a very up-to-date track, while gennaro gives spin my mind just the right trajectory for limited edition.

in denmark, there rages a lively and experimental techno scene - and its not only a recent phenomenon. the best proof are phono and kemi, two danish imports to the berlin record label, highgrade records. the two chaps complement each other in a musically virtuoso fashion: phono, jacob thiessen, spent his childhood playing around with sequencers and drum machines: over the years he has stuck to this passion and as such, has developed a reputation as an experienced house and techno producer. kim kemi, by contrast, has been a dj since the beginning, and since the 90s has been one of the key figures in the copenhagen club scene. together they have not only performed regularly at the biggest events in denmarks capital, but have also ensured through their many releases, ever changing accents and atmospheres on the turntables. this wealth of combined musical experience can be heard instantly on their latest outing for highgrade – >decompose<. the three tracks, >decompose<, >exterminators< & >last night< assemble rhythms that come from punk, elegant voices and dizzying loops a multi-layered sound excursion. the result is a perfectly produced ep, but one that has not been ironed smooth. with the >made in denmark< seal of quality, phono and kemi bring some extra depth to the party attitude

the classic solid session needs no introduction. one of the biggest 90s house hits from amsterdam. this release comes with fresh new remixes vince watson, legowelt & orlando himself. plus of course the original version from 1991. essential to have in your collection!!!

heres a new lazy days. this time we welcome back atnarko to the family featuring sam mollison vocals. sam was the voice behind sashas seminal >magic< track in the early 90s. on remix duty, we have peter christianson from lawnchair generals and we also have a nice bonus cut in the form of >break of day<. watch out for pt 2, remixes from pezzner and fred everything. early support : danny krivit, johnny fiasco, shur-i-kan, mr v, quentin harris, giom, diz, nacho marko, mark bell (blakkat)…

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

new label by third ear records and what a cool first release!!! groovemental is bringing explosive jazz versions of two classic dance tracks! side x: dumb machines version of theo parrish,s falling up is based on the carl craig version of the track rather than the version recorded by theo. one of the biggest house tracks of the 2000s and a recognised classic. dumb machines have introduced words. the word falling is intoned throughout the track and the second stanza from louis macneice,s poem snow is recited. side y: written by tori amos. dumb machine,s version is based on the armand van helden remix. he created an irresistible dance groove, selected a few choice vocal samples, which became part of the clubbers lexicon, to create one of the biggest dance records of the 90s. dumb machines have gone back to tori amos lyric, taken various lines from the lyric and cut and pasted them together. two very inspiring jazz tracks for the house and techno generation, and for everyone else too of course! been on high rotation since we got it in stock!! recommende

as tight and as punchy as you expect - this are two addictive slabs of fast paced house with a distinctly 90s us influence with a shout to minister farrakhan on vocal duties....

savor musics second 12 inch release follows a rockin record by papol and ekkohaus. we are proud to present today some raw future classics that will quite simply tear the floor into pieces. lucas mari is a hard to catch butterfly that spreads his subtle wings on few carefully selected projects. a resident of the city of rosario in argentina, lucas mari appeared occasionally on the very fine argentine label greener, german imprint stock 5 and on us labels adjunct and airdrop. in true early 90s chicago fashion, the two original cuts feature some serious drum machine action, building a sturdy way to allow for some exquisite chord relief to flourish. gez varley, absolutely stunned by listening to the originals, decided to contribute to the release with a simple and hypnotic remix that only he, the one and only g-man has the recipe for.

mr beatnick has played an active part in the burgeoning uk beats scene which has produced talents like bullion and paul white. his best known track >i know all the bitches< featuring the vocal talents of ahu, became one of the anthems of this movement, thanks to numerous spins on the likes of bbc radio 1 and rinse fm. in his music you can hear the influence of whole generations of music from mantronix to the 90s bay area scene and beyond, and the new ep >synthetes< takes this approach up a gear, exploring a path between the crackling breaks and samples of old, and the dancefloor music of now. with early support from braiden (rinse fm), slackkk (numbers), bullion (young turks), mosca (nightslugs / fat city) and gilles peterson (bbc radio 1), the >synthetes ep< looks set to find a unique place in the record boxes of bass addicts and beat diggers alike this summer.

already in the forth installment, claap continues its streak of quality releases. this time label head gummihz is back with a breazy and grooving maxi titled >head rush<. featuring four new cuts welcoming the summer heat. >head rush< is a captivating piece reminiscent of that 90s ny house sound. it is a nod to the past with a touch of now. breezy and cool, with the sort of drums that will keep the floor pumping. the drums out mix is a more pumped out version of the original, stripped down to the drums and voices. >secret voyage< taps into a more ballearic atmosphere. a captivating arpeggio draws the frame to a very elegant arrangement of organic rhythmical elements. >ruff passage< is a dubbier cut which was created to remind you of previous house producers of the ruff, think everybody be somebody (ruffneck)!! a must have for all occasions to keep the heat on!!

a true showcase of vesicles creativity, versatility and dark bassline science, the we are lost ep contains 4 deep and dark dubstep excursions and makes a strong case for this finnish duos inclusion among the genres best and brightest of the new generation of sound visionaries. the title track we are lost is a beautiful, dark anthem combining haunting vocals with live guitars, intricate melodies, precision drum programming and fat slabs of bass. the result is a well-rounded, catchy and melancholic masterpiece. smoke curls switches up the program, engulfing the listener in deliberately lo-fi sound fx and percussion whilst conjuring up deeply emotional, melodic bliss by juxtaposing a dusty piano with a soaring, distorted, filtered leadline of 8-bit chiptune charme. destined to become a dark breakstep anthem,mythos harks back to the late 90s metalheadz sound with its epic synthlines, eery vocals and massive, growling reece bass constructions. redemption completes this vicious circle with a journey to the depths of darkness, attesting to vesicles true mastery of uniquely filthy bassline construction on this stripped-down vision of despair. to ensure that this ep looks as mindblowingly sick as it sounds, the vinyl release features stunning, limited-edition full sleeve artwork!

nice price deal !!! following on from her acclaimed debut last year on jansen jardin, yuki suzuki and producer, max essa, return with another slab of far east magic entitled >we don?t have much time<. combining yukis sultry vocal with a very muscular, bass heavy groove, the track comes across like some pitched down (way down!) early 90s nyc garage classic. big, rolling drums push the track along while some glorious strings and piano make sure, as usual, jansen jardin have something for your mind, your body and your soul. on the flipside neville watson delivers one of his finest productions to date. pushing the tempo up and dubbing things out he provides a brilliant reworking which is already causing a fuss from tokyo to berlin. moody, emotional dance music for late nights and early mornings. one limited pressing - as before - first come, first served

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

claque musique ready to unleash their latest offering, from an artist who has become a key member of the claque family, rio padice. having in recent years devoted time to learning the production techniques of the 90s, blending the use of software, hardware and sampling, his productions, unlike so much of the current trend for looking back, have a mature and studied classic sound and feel to them. his work this year has seen firmly rooted in the front of the most discerning of record boxes.rio follows his remix of micro_on (claquemusique10) with his very own woodland ep. as we have accustomed to, rio delights us with another selection of tracks that see him exploring and bringing together the best in classic sounds with his very own fresh contemporary spin. the beautiful trip through woodland opens the ep. a dreamy bass-heavy acidic number. much different is ocrons land, with its static sounds and almost industrial feel. mutant camels with its bubbling bass, rasping hats and dromedary movement rounds out the originals. remixing the title track is padova born alex picone. renowed for his releases on bass culture, mus and cadenza and fresh from the success of his fahrenheit single, alex ramps things up for the dancefloor on woodland, replacing the original acid line with some fresh guitar licks. perfect!

ovum is excited to bring you the debut ep from nico lahs. many know him from his tracks on 8 bit and for his ovum debut he has delivered two incredible slices of deepness. the clouded visions ep harkens back to the classic early ovum sound but this is clearly a 2011 version of it. the a side >late night< is deep, but yet pumping for any dance floor. the sound is reminsicent of a mid 90s mood ii swing, but with an updated twist. this will move any floor and is shore to be heard all over this summer. >all i desire” has a classic ny feel, with the only thing missing possibly being a husky male vocal. this track can take you back to the shelter. two amazing deep productions from a talent who is clearly on the rise!

it really is a great pleasure for exclusive to welcome back jef ks wonderful silver network label with their latest single from, valentin feat. the morvans. valentins electronic musical heritage stretches back to the early days of rave. as a wide eyed and open minded 18 year old he became hooked and soon immersed himself in the ever evolving culture. in the early 90s he worked for bpm, the very first underground parisian record store and it was here that he built a vast knowledge of the exciting us labels and producers. by the end of the 90s valentin was a regular on the dj and after-hours circuit, but as the rapidly developing >french touch movement< began to make its mark, it was time to find new inspiration

jeremy glenns >new life ep< is filled will sun-drenched euphoria, it comes bearing soul, embraces jeremys natural pop sensibilities and celebrates the underground scene thats shaped him as a dj. the title track takes us down to the beach with its 90s pads and thumping bass line to hang out with mitch buchanan, >found a love< reminds us of a rare vintage cut that the revenge or jacques renault dig up (check that acid line!) while >overtime oozes of prince. alex barck of jazzanova also rolled out a cheeky feel good remix of new life. its sure to make you grab a partner, throw them into a twirl or two and play an air bass guitar. already jeremy glenn has shared the decks with james murphy, tensnake and andy butler as well as performing live alongside dam-funk, aeroplane, and alexander robotnick. check the video by dakota of >new life< and take in all 80s boobs, 90s muscle, yachts and tiger fades

played by: len faki, hot chip, seth troxler, terence fixmer, zdar, technasia, deetron, dj feadz, joris voorn,... darkroom dubs re-issue two early 90s techno monsters ! we are delighted and honoured to have the opportunity to re-release two of our all time favourite records on darkroom dubs. both really shaped our love and appreciation of electronic music when we first heard them at the arches and the sub club. ..

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

unos second release comes from montreals jacques greene. in his north american debut, we bring you two new tracks that reveal a darker, acid housed side of the lauded producer. lay it down unites bass swing with a floor shaking acid line thats known to make rooms dance like autism. new york house standards whatever/whatever give the flip side a jacking make over of 90s proportions. the hard hitting >what are you feelin< (which has been received much uk in the past year, including mary ann hobbs bbc show) finishes off the 12 inch, builds up the grand finale, after which you might find yourself in a puddle of something wet, wondering where greene went.

faze action maintain their fine run of form in 2011 with this four tracker from the shack, aka guy williams and dan williams (not related!) both have been active in dance music from the early 90s, with guy holding dj residencies at clubs such as the ministry of sound and turnmills during their pomp while dan williams aka d.r.w carved a career as a singer/songwriter. together as the shack they have absolutely nailed it with >touch it<, a sleazy-does-it italo peak time jam. arpeggiated synth lines, catchy vocal hooks and instant bassline work in jotous unison with some cowbell carnage. the 12 inch comes replete with a dub version and boogie influence faze action remix. rounding off the release is another original cut, namely >dont stop, in which tough drums combine with a late night vocal intoning the track title to bewitching effect. this shack attack has already found its way into the record bags of pete herbert and severino - expect it to be in many more come summer s end.

lee foss >starfruit ep< is a sonic love letter to 1994 sent from the future. fresh yet unmistakably foss, each chapter is a seamless fusion of 90s rnb and low slung house grooves, amounting to his most refined and expressive solo package to date.

a very special release here from legendary rave producer eon, aka ian loveday. loveday, who passed away in 2009, was known and loved for his enduring impact on uk dance culture, although sadly this was the one and only release on his zarnak records imprint (although loveday himself released 12 inches on a host of labels including pal sl, vinyl solution and plus 8). upon release the papal magnet 12 inch sold out swiftly and soon became a highly sought after record - this batch was found recently and has been passed onto us with the blessing of lovedays family. on the a side you will find the relentless late night throb of >cable rider< - 90s techno at its finest. flip over for the moody introspection of >passing clouds< and raw, dusty analogue thump of >crosstown< - our pick of the bunch. an excellent release.

undertones return with an ep from alex agore taking us back to the deep house sound of the mid 90s. warm and analogue feel

big with: ricardo villalobos, cassy, seth troxler, raresh, reboot, sebo k, nina kraviz, deetron, norman nodge, ryan elliot, rolando, dj hell, djulz, martinez, alex picone, dario zenker, michel de hey, joris voorn, kasper, alex neri, varoslav … all inn records, since their inception last year, have rapidly built a reputation as one of the most exciting new house labels on the scene. for this landmark release the label look to sailor mood, the italian duo whos recent release on the limited 300 x vinyl only sister imprint all inn black that was an instant sell out. giovanni verrina for the past 12 years has been a guiding light in the genoa club scene, before resident at zerodieci club and now at wakeup! night in fellini with his sets in a continuous search for the worlds more underground sounds, from detroit to south america,to berlin . ory j has also been a slave to the turntables since the early 90s. his first forays into production came in 2007, with the publication of his first ep on berlin based label autist records

>lifes track< is the mysterious and anonymous bosconi homemade project of two promising artists,100% build through an analogue and raw production and mainly based on a psychedelic, futuristic and freestyle musical approach.
no names, titles and any point of referement has been added to this release, what you get now is a 4 tracker ep, 4 sonic artworks of detroity inspiration and impulsive creation, in the vein of a more sensitive, delicate and spiritual omar-s, smooth like an early mathew jonson, dreamy and a bit acieed like some of the first intelligent techno tracks done in the 90s but with a more catchy pop music feeling.
shake all the ingredients and you will get the whole mistique and ghostly enigma of lifes track, timeless music made to dig in the depth of your soul.

in a time where we have seen a full through back to the sound of the 90s where almost every new record sounds exactly like it was made back in the day. its so refreshing to have producers like martin tc around. hailing from montevideo uruguay, former member of the now defunct monoblock project martin tc proves again that its all about the cutting edge of modern funkyness. delivering a ultra funky, jazz injected techno bomb of an ep. we are proud to present martin tcs first solo project and most definitely not his last. in situ on side a is an exploration in chicago style jack combined with a keen sense latin groove and definitely is the money ticket, a sure shot bomb, a burner, a floor filler, a wmd, explosive, techno poetry in motion… if i do say so… side b continues with the funkyness of bukle but takes in further into a more challenging up tempo realm that can go either way in a house or techno set. al fin y al cabo and vice versa are an excellent reminder that techno jazz is still here and that the swing will never die.

the second vinyl sampler features the production skills of some very exciting, emerging new artists. first up is deep space orchestra from the uk. having recently caught the eye of gilles peterson and top house imprints like delusions of grandeur, it seems that dsos music is now starting to get the attention that it deserves. andy ash from liverpool is another producer who has been consistently turning out top quality underground house sounds for a number of years now, most notably for the revenges l.e.s.s. edits series. meanwhile, italian producer nicholass blend of disco edits and original 90s house sounds has been creating quite a stir, and has seen his standing as a producer grow weekly with various releases on imprints like small world disco, mo more hits, kojak & dikso already, as well as an increasing demand for remix work.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano.

alex kork, founder of 9volt presents 4 great minimal-techno tracks on plattenbau-music. alex also released on relax. he did his first steps producing electronic music already in his youth. experiments with self-made oscillators, noise generators, synthesizers and sequencers he was always in searching for new sounds. as techno found the way in his hometown in the early 90s he was flashed by the new sound. as hydro he played on a lot of events and also he organised own parties. since founding the cannibal cooking club together with error in 1999 they play as liveact in the clubs. the own label for their crazy and unique sound was born in 2003. his label 9volt-musik was founded in 2006. focussed on the sound he likes, its a platform for his own productions and friends.

>we wanted to try something on a slightly dubbier tip than our usual fare and had been listening to lots of old european techno from the early 90s.<

disco tweaker extraordinaire nicholas makes his debut on 4lux with another big set of tracks thats bound to fly off the shelves. the italian producer has been in prolific form last year, leading the latin edit charge with on the excellent no more hits imprint, and here we see a host of new tracks. all night long is an old school 90s piano house nugget that also gets the remix touch by 4lux head honcho gerd: early 90s house influenced vibes that result in guaranteed dancefloor mayhem. the flip contains the disco banger all i need and the slow paced house cut stay together. big tip!

nice price deal !!!

after an amazing debut release simply called ep. 1, marcelus returns to deeply rooted house with a exciting twelve inch ep. 2! rawer stompin tracks that never fail to capture that essential funking groove that make the difference between a standard techno track and a track that stands out! somehow drifting between new school techno and old school early 90s acidic chicago house marcelus surely merged best of both worlds into 4 subtle and haunting techno tracks with an unstoppable groove.... just how we like it

the latest in the core series. classic early 90s vocal house, remixed by todd terry and ronnie ventura!

maya jane coles was one of the biggest sensation of 2010 with the ep >what they say<, released under real tones records. the 23 years old anglo-japanese dj topped legal download sites charts, and this ep put her and the label under the spotlights. now is the time for the awaited remixes, especially the track >what they say< which has appeared to the eyes of the public as highly inspired by 90s house music and particularly by marc kinchens style while in facts, maya jane coles influences encompass many different styles, ranging from hip hop and trip-hop to dub, and nights out in londons drum & bass/ jungle underground scene.
early djs supports and feedbacks by the martinez brothers, reboot, ryan crosson, dennis ferrer, delano smith, laurent garnier, lee curtis, matthew styles, michel cleis, steve bug, sascha dive, damian lazarus, shawn reeves, raresh, dj t, lee foss, robert dietz, anja schneider, jimpster, deetron, sebo k, djulz, nick curly, culoe de song, tony humphries, dj spinna ...

robber and bandit grew up with electronic music since the early 90s ... when they heard tiefschwarz perform some years ago at 10 days off , they decided to join their forces and creative energy and started their own project robber and bandit, which is a mixture of techno and electro with trancy soundscapes. luckely robber had enough experience and technique in producing through his drum n bass project and started to make high quality productions in no time. for the moment they found their balance and new stunning productions are coming your way. later that year bandit started producing minimal techno on his own: lee barrier was born! lee barrier has created in a very short period great skills and producer techniques with a lot of support by robber alias axi and the man behind wasted for life : jamie.

phatts and small disco house bomb back from tha late 90s, ltd 2011 repress

full colour sleeve pressed on 180 gram vinyl. regarded by many as the finest electronic producer of his generation, the mysterious la-based photek enjoyed considerable success throughout the 90s and into the new millennium with his own mutant breed of jungle and drum n bass. after a four-year hiatus from releasing music (and just over ten years since his last lp >solaris<), the legendary photek is back with a new sound and brand new 4-track ep – an occasion definitely worth the wait.
multiple radio plays by: benji b, annie mac, rob da bank, mistajam, nick grimshaw, greenmoney, jon kennedy.

a reedition of >electronic data processing< tracks, which were released on mosaic records (90s famous uk label) and obsession music (1st marseillese house music label), composes this 26th release on modelisme. electronic data processing is a duet formed by sebastien bromberger & laurent cristofol, wellknown some years ago with their several eps on the label mainly.... a side, >solitude< (remastered) is a huge upbuilding hypnotic dirty house track, phat & sexy. b side, >beam of light< is a lovely deep drummy techouse tune

initial support comes in from pig & dan, paco osuna, tim xavier, richie hawtin, m.a.n.d.y, nic fanciulli, mauro picotto, slam, john digweed, chris fortier and omid/16b! the title to this ep >reminisce< gives us some idea as to feeling of these three tracks, as j alexander pays tribute to some of the late 80s and early 90s sounds that influenced him in his early days. however that said, his talents at blending the old and new together make this much more than a retro sounding ep!

joshua aka circulation, c++, or iz recorded some serious tracks in the mid 90s on seminal house labels prescription, balance, & blue cucaracha at the infamous red nail studio. here are remastered classics & unreleased takes on tracks like emotions unknown, worry no more, aspirations & more!

nice price deal !!! classic early 90s sounding detroit stuff reminiscent of classic dan curtin and u.r..